This weekend I am volunteering as a note taker at the 2010 Spring Conference for the Arts Education Partnership (AEP). The theme of this year’s conference is State of Change: New Leadership in Arts Education. The mission of AEP is as follows:
The mission of the Arts Education Partnership is to demonstrate and promote the essential role of the arts in enabling every student to succeed in school, life and work in the diverse and global economies and societies of the 21st century.
Being that this year’s conference is in D.C., AEP was able to bring out the “big dogs” in policy for arts advocacy and education. NEA Chairman, Rocco Landesman and U.S. Education Secretary, Arne Duncan both opened the conference yesterday morning. One thing Mr. Landesman said about arts education that struck me were his comments about failure and not being afraid to fail. The crux of his message about failure indicated that education nowadays is want for teaching young people how to fail. Not only does traditional modern educational structure ”fail” to teach students how to LEARN from their failures, but it also fails to embrace and teach the idea that it is, in fact, OKAY to fail. This sounds like a paradox of sorts, but it is not. These life lessons are something best taught through arts education where learning through failure can be done in a safe space. Overall, Landesman was, I think, well received and quite personable in his approach to the subject.
The second big name of the morning was Education Secretary, Arne Duncan. The room was eager to here his commensts, with the hopes that he would have some encouraging and supportive words about the value of arts education and his plan as education secretary to support arts education initiatives. The sentiment in the room seemed to be: what would the new education secretary do in the near future to publicly support the importance of arts education, arts integration, and how the arts can teach STEM education. Like any good public speaker, he understood who is audience was, and therefore spoke to the importance of arts education. Ultimately, however, some felt he left the responsibility of advocating for these ideas too much on the shoulders of those listening in the room. After speaking with some of the attendees, the sentiment was that Secretary Duncan acknowledged the plight of arts education and arts educators, but that he didn’t really plan on doing anything about it personally.
Day two was met with a whirlwind series of large and small breakout sessions on diverse topics ranging from the successes of a new hip-hop recording academy in Portland, to how to begin to develop creative networks, to the theory of collaborative learning. My personal favorite session was the hip-hop school in Portland that, as the founder and guest speaker indicated, “meets kids where they are in their lives, and goes from there.” Simple, but wise words of wisdom.
Many good and productive things were discussed, and the director of AEP, Sandra Ruppert, as well as her staff deserve many lauds of praise for their hard work in putting together a successful and productive conference.

The answer lies in what our society values most. And clearly, in the case of athletes vs artists and educators, the value is placed on the income, and more importantly the amount of commercialism, created by each respective profession; in other words, the profession that gets the best (ROI): return on investment. For an interesting commentary on value from the perspective of someone well versed and passionate in the area of non-profit/philanthropy, see